Welcome November with a Free Desktop Calendar

Happy November!

Every month, we upload a new desktop calendar to our website, which you can download for FREE. This month's photo features one of the lovely houses you can visit during the L'Esprit de Noël Home Tour later this month.

Need help with some holiday gift ideas? L'Esprit also features a FREE boutique filled with all sorts of goodies. Proceeds from the tour and the boutique go towards Central City Opera's programs throughout the year.

Download your calendar today! There are two sizes to choose from, depending on the dimensions of your screen.

The Sound of Music....Horror Film?

Happy Halloween!

The 1965 Julie Andrews film The Sound of Music has become such an icon of American culture, it can't help but be parodied. Quite often. One popular theme is to reset this sweet movie as a horror film. We've been featuring several of these "trailers" on our Facebook page throughout the week, and here's a culmination of the best ones we've found. Which is your favorite?

"The Sound of Music (Horror Trailer)" by MNMantylaVideo

This trailer is part The Sound of Music, part The Turn of the Screw. "You are the twelfth in a long line of governesses....the last one, she stayed only two hours."

"The Sound of Music Recut Trailer - Horror" by chuck13171

I rather like the pacing of the soundtrack and the editing in this particular trailer. "Mother, would it help if we sang about our favorite things?" "No, darling, this is one time it would NOT help." 

"The Sound Of Music Trailer Recut - Michael Farr" by mifarr1

This one focuses on Captain von Trapp. Should it be The Sound of Murder instead?

"The Sound of Music (1965) - Recut Trailer [Horror]" by shanemoovee

Just when they thought it was safe...

"Sound Of Music Recut Trailer (HORROR)" by Hannah OneTwoNine

Everyone loves Maria...almost everyone...

"The Sound Of Music RECUT" by BoundlessProductions
And finally, remember how Maria mentions "perhaps I had a wicked childhood"?...

Remember, you can see the not-so-horror-filled stage version of The Sound of Music in August 2014, when Central City Opera performs the show at the Ellie Caulkins Opera House in the Denver Performing Arts Complex.

Monday Nun Day: Happy Birthday, Mother Teresa!

Looking ahead to next year’s productions of Dead Man Walking and The Sound of Music, we are launching an occasional “Monday Nun Day” series. Today’s date just happens to coincide with the birthday of one of the world’s most famous nuns, Mother Teresa, born August 26, 1910. In 1999, a poll of Americans ranked her first in Gallup's List of Most Widely Admired People of the 20th Century.

Living, Learning, and Loving: How Opera Singers Have it Right

Editor's Note: Today's blog is written by 2013 Festival Office/Music Library Assistant Corbin Rugh.

As a recent graduate in music education, I never imagined that my degree would take me into the world of opera. Though I knew the summer internship would be full of adventure, I did not imagine I would be so deeply moved by my colleagues.

Blog author Corbin Rugh with William Ferguson, David Portillo and Patrick Carfizzi (George in Our Town and Almaviva and Bartolo in The Barber of Seville)

It is no secret that many talented singers bring Central City Opera to life each summer. Beyond the immaculately finessed notes and divine artistry lie some truly amazing people. This particular crowd of opera singers proves that an uncommon career path lends itself to appreciating often overseen dimensions of life. The most profound lessons that I will take with me long after this summer are the following:

Bloom where you're planted.

Opera singers find work in all corners of the world. This means that the conventional concepts of “home” and “work” change as often as the gig. It is up to the individual to establish roots and to blossom in each experience. As a twenty-something getting ready to move overseas, I know I will sport these same tenets as I venture into unfamiliar ground. There is no measure for success but our own accumulation of triumphs.

Be true to yourself.

"Work with what you have" sounds like bad advice from a mother to a temperamental teenage daughter, but it proves true in the most wonderful way in opera. Vertically challenged? Add that to the comedy of your role. Have an amazing high C? Use it to tug at our heartstrings! In Our Town, the Stage Manager says, “Something is eternal in everyone.” We are all one of a kind and that is our contribution to the world. Capitalize on your unique qualities and make the most of everything that is you.

Corbin with one of the 2013 Festival billboards outside the Central City Opera House

We create the culture that in turn creates us.

This is the quintessential phrase of one of my dear professors. My favorite Central City illustration of this was a moment in rehearsal for The Barber of Seville. Early in staging, two principals had the idea of a new move they could do in a scene. It came to fruition because the climate was supportive of creative collaboration and the director’s intentions were clear. This seemingly small exchange gave way to a wonderful moment in the show that leaves the audience in stitches! Once we individually embody aspects of a productive and supportive culture, we become part of something greater than ourselves.

Live in every moment.

On all levels, productions have an amazing power to bring people together for a common goal, but only for a short time. In my student teaching, the high school auditorium seemed to magically transform for the week of the spring musical, just as Central City takes on new life in the summer season. As quickly as it comes together, it ends. Enjoy each moment of the journey with those around you and put energy, intention, and love into every breath.

Corbin "lives in the moment" backstage at The Barber of Seville.

The gifts opera singers give us go beyond the two hours we experience in the theatre. The next time you see an opera in Central City or elsewhere, look beyond the production and consider the people who are bringing the characters to life. If we take even a page from their books, we are sure to live, learn, and love wholeheartedly.

Behind-the-Scenes Photos of SHOW BOAT

Central City Opera Photographer Mark Kiryluk has been back stage at the Buell Theatre capturing the fun and excitement happening with the cast and crew of Show Boat. Enjoy a selection of some of our favorite shots from some memorable behind-the-scenes moments…

Wig/Makeup Designer Dave Bova prepares Julia Burrows (Magnolia) for curtain time. The hair/makeup/costume team has been working overtime hours and even brought in extra help these last few weeks. All hands on deck!

Gene Scheer (Cap'n Andy) looks out at the empty Buell before Opening Night. As a result of the size of the room, artists wear mics on stage for Show Boat.

Stage management team members Dana Stringer and Rachel Ginzberg plan the logistics of the show, along with the help of a CCO stagehand. During live scene changes, the stagehands come out dressed in full Show Boat era attire.

Troy Cook is transformed into Gaylord Ravenel, a riverside gambler on the Mississippi.

Members of the Guest African-American Chorus warm-up backstage.

CCO Director of Production Karen T. Federing oversees it all from the tech table during a dress rehearsal.

Denise Lute and Ellie Kaye pose with Jean Richards, who attends every CCO performance and has for years. She even rides the bus to Denver from Central City with the Young Artists! Assistant Director Kyle Lang looks on in the background.

A close up of the set, designed by James Youmans. The orchestra sits on stage and is a very integral and interactive part of the performance as a result. 



Talented Teens of the Performing Arts Intensive

Every summer, Central City Opera, in partnership with the Colorado Springs Conservatory, hosts 18 to 20 talented teens during our Performing Arts Intensive. This is the tenth anniversary of the program; as the Production/Stage Manager for CCO's Education & Community Engagement, I have had the privilege of working with these amazing students for eight of those years.

We are about a week and a half into this two-week intensive. Tuesday night in Colorado Springs we invited an audience to preview the work these students have completed. The first act is a scenes program, entitled Now You Know, combining moments from opera, musical and classic theatre. In one touching scene, the students perform a section of Thornton Wilder's play Our Town (pictured below). Later this week, they'll see the operatic version of this story in the Central City Opera House.

In addition to numerous vocal and movement classes and rehearsal of the scenes program, the last week and half has also been filled with research and composition of their own original opera. Inner Lights: Meditations on the Palmers of Colorado Springs is an original short opera based on the life of an early Colorado Springs couple. The premiere staged reading of this piece was also part of Tuesday's night performance.

One of the reasons that the Palmers were chosen as an inspiration for the opera was because of their many important contributions to Colorado. In addition to founding Colorado Springs, General Palmer was critical to the development of the narrow gauge railroad in Colorado. Wednesday, we took a field trip on the Georgetown Loop Railroad for a first-hand experience.

That evening the students settled into Central City, where they become junior members of the 2013 Festival Company. To greet them, artists from on stage and off gathered for an informal "meet and greet" and sandwich supper.  

Marc Astafan, pictured above, discussed everything from the audition process for our Bonfils-Stanton Foundation Artists Training Program to directing The Barber of Seville.

Several of the prinicipal artists, including Curt Olds (Frank, Show Boat) and Daniel Belcher (Figaro, The Barber of Seville) pictured above, answered questions about living and working in the business. Many of today's stars began their careers in CCO's young artist program.

The teens will continue their residency in Central City for the rest of this week. In addition to continuing to rehearse their scenes program and original opera, they are attending all of the operas performing in Central City, observing some of the Apprentice Artists' classes and having their own private master classes with members of the CCO Festival staff. Vocal and diction master classes will focus on their own material, while in movement and stage combat classes they'll learn some of the same moves and sequences used in the 2013 Festival productions. 

Public performances of the Performing Arts Intensive are held in the intimate Williams Stables Theatre this Friday at 4 pm and Saturday at 7 pm. Tickets are just $5. To purchase tickets, call the Box Office at 303-292-6700 or visit www.centralcityopera.org/intensive. 

Short Works: The Show Before the Show

One of the gems of Central City Opera’s Summer Festival is our presentation of Short Works, also known as Opera Scenes. These half-hour performances put young artists in the spotlight and allow them to show off their diverse skills in acting and performing. Just as the name implies, these are not full opera performances but rather selected scenes from a variety of operas by a multitude of composers. So far, Central City Opera has presented scenes from Orfeo Ed Euridice, Ragtime, Cendrillon, The Elixir of Love, Manon, Street Scene, The Rake’s Progress, Eugene Onegin, Alladin, The Sound of Music, Dead Man Walking and The Marriage of Figaro. The latter three will be presented in full by Central City Opera during the 2014 Festival.

CCO Studio Artist Siena Forest gets her time in the spotlight

Not only do these give the young artists an opportunity to hone their skills, but it also allows aspiring directors a chance to perfect their art form as well. The scenes are directed by 2013 Festival Assistant Directors Corinne Hayes (Our Town,) Stephanie Havey (The Barber of Seville,) and Kyle Lang (Show Boat). Lang says that directing Short Works gives him a chance to “try different approaches, being that a scene may not necessarily need to be in the context of the full opera.” He also went on to say that “It’s such a great opportunity to work with young artists and to learn how people may take direction differently. The process that may be needed for one person may not be what is best for another.” So it is the creative team that gets personal and professional growth out of Short Works in addition to just the artists.                                                                 

Patrons enjoy an afternoon Short Works performance inside of Williams Stables

From the young artists’ perspective, Short Works is their opportunity to practice performing in front of an audience and to learn about and engage in a variety of diverse operas and musicals. While most young artists have roles in the feature productions either in the chorus or as a side role, Short Works puts them front and center and raises them to be the stars of that afternoon’s performance.

The next Short Works will be presented at Williams Stables tomorrow at 1:15 p.m. prior to the matinee performance, and at the same time on the additional dates of July 24th, 27th, and 28th. Tickets can be purchased in advance or day-of-show for the price of $12 or $8 for subscribers. These are a great way to whet your appetite before a matinee performance in the Opera House and to see future opera stars in a casual and intimate setting.